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by Phil Chadwick
$42.50
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Product Details
Our luxuriously soft beach towels are made from brushed microfiber with a 100% cotton back for extra absorption. The top of the towel has the image printed on it, and the back is white cotton. Our beach towels are available in two different sizes: beach towel (32" x 64") and beach sheet (37" x 74").
Don't let the fancy name confuse you... a beach sheet is just a large beach towel.
Design Details
During 1891, Staff Commander John G. Boulton of the Royal Navy conducted a detailed survey of the various channels leading to Parry Sound. The 4,000... more
Care Instructions
Machine wash cold and tumble dry with low heat.
Ships Within
1 - 2 business days
Painting
Canvas Print
Framed Print
Art Print
Poster
Metal Print
Acrylic Print
Wood Print
Greeting Card
iPhone Case
Throw Pillow
Duvet Cover
Shower Curtain
Tote Bag
Round Beach Towel
Zip Pouch
Beach Towel
Weekender Tote Bag
Portable Battery Charger
Bath Towel
Apparel
Coffee Mug
Yoga Mat
Spiral Notebook
Fleece Blanket
Tapestry
Jigsaw Puzzle
Sticker
Ornament
During 1891, Staff Commander John G. Boulton of the Royal Navy conducted a detailed survey of the various channels leading to Parry Sound. The 4,000 islands and dry rocks in the waterways were enough to convince him that light houses were needed. The Department of Marine decided to follow Boulton's recommendation for five new lights, which would be located on Walton Rock, Snug Island, Gordon Rock, Jones Island, and Hugh Rock. Four of the five lights worked together to form two ranges: Walton Rock and Snug Island served respectively as the front and rear lights of Snug Island Range, and Gordon Rock and Jones Island served respectively as the front and rear lights of Jones Island Range. To reach Parry Sound, mariners would pass south of Red Rock Lighthouse and then align their vessel with Snug Island Range.
Built in 1893, the Snug Harbour Rear Range Lighthouse is a one-and-a-half storey dwelling with a tapered tower rising from the centre of its roof. It became operational with...
I paint outside - nothing between my eyes and the inspiration. That special connectivity gets into the pigments and you quickly realize that we are all stewards of the land, privileged to appreciate its beauty during our lifetime but responsible for leaving the environment better off for the future and all inhabitants... Phil was born and raised along the St. Lawrence of Ontario, Canada and studied at Queens University as a nuclear physicist. A meteorologist for Environment Canada for 35 years, Phil specializes in severe weather and training. Remote sensing is his forte - you might want to see a tornado before you die... but not just before you die! He has farmed, raised bees, written books and articles, lectured and instructed...
$42.50
A Hillman
Revisiting this beauty! L
A Hillman
This is gorgeous...great composition and contrasting colors...the clouds are fascinating and the water really looks wet! Fantastic reflections and brushstrokes! Bravo! l/f
Phil Chadwick replied:
Thank you so much Sunny, my friend! I was trying to be bold with my brushstrokes. I love detail and have a tendency to include it in the studio when I have all the time in the world to use a small brush. I like using old and thick too. It almost makes the work 3D. Your kind comments help to keep me going! Your Sunny comments brighten my day.